There is a particular alchemy in broken things. These works begin not with raw material but with remnants—discarded glass, salvaged tile, fragments that have already lived one life. Reassembled, they catch and scatter light in ways that pristine surfaces never could. Each fracture becomes a prism. The imperfection is the point. These mosaics are meditations on wholeness achieved not despite brokenness, but through it—surfaces that reward stillness, that change as the light around them changes, that ask you to look twice.

A lot of my work is centered around light, reflection, and emotional worlds beyond our visible perception.